5 (Oxford, 1998).

John Jump (ed.), Tamburlaine the Great (London, 1967).

Criticism

C. L. Barber, Creating Elizabethan Tragedy: The Theater of Marlowe and Kyd, ed. Richard P. Wheeler (Chicago, 1988), 45–86.

David Daiches, ‘Language and Action in Marlowe’s Tamburlaine’, More Literary Essays (Edinburgh, 1968), pp. 42–69.

Helen Gardner, ‘The Second Part of Tamburlaine the Great’, Modern Language Review 37 (1942), pp. 18–24.

John Gillies, ‘Marlowe, the Timur myth, and the Motives of Geography’, in Playing the Globe: Genre and Geography in English Renaissance Drama, ed. John Gillies and Virginia Mason Vaughan (Madison, Wis., and London, 1998), pp. 203–29.

Ethel Seaton, ‘Marlowe’s Map’, Essays and Studies 10 (1924), pp. 13–35.

Eugene M. Waith, The Herculean Hero in Marlowe, Chapman, Shakespeare and Dryden (New York and London, 1962).

___, ‘Marlowe and the Jades of Asia’, Studies in English Literature 5 (1965), pp. 229–45.

Richard Wilson, ‘Visible Bullets: Tamburlaine the Great and Ivan the Terrible’, English Literary History 62 (1995), pp. 47–68.

THE JEW OF MALTA

Standard Modern Edition

N. W. Bawcutt (ed.), The Jew of Malta, Revels Plays (Manchester, 1978).

Criticism

Howard S. Babb, ‘“Policy” in Marlowe’s The Jew of Malta’, English Literary History 24 (1957), pp. 85–94.

Thomas Cartelli, ‘Shakespeare’s Merchant, Marlowe’s Jew: The Problem of Cultural Difference’, Shakespeare Studies 20 (1987), pp.255–68.

Coburn Freer, ‘Lies and Lying in The Jew of Malta’, in Kenneth Friedenreich et al. (eds.), ‘A Poet and a Filthy Play-Maker’: New Essays on Christopher Marlowe (New York, 1988), pp. 143–65.

Stephen J. Greenblatt, ‘Marlowe, Marx, and Anti-Semitism’, in his Learning to Curse: Essays in Early Modern Culture (Chicago and London, 1990), pp. 40–58.

G. K. Hunter, ‘The Theology of The Jew of Malta’, Journal of the Warburg and Courtauld Institutes 27 (1964), pp. 211–40.

Ian McAdam, ‘Carnal Identity in The Jew of Malta’, English Literary Renaissance 26 (1996), pp. 46–74.

Catherine Minshull, ‘Marlowe’s “Sound Machevill”’, Renaissance Drama n.s. 13 (1982).

Wilbur Sanders, The Dramatist and the Received Idea: Studies in the Plays of Marlowe and Shakespeare (Cambridge, 1968), ch. 3

DOCTOR FAUSTUS

Standard Modern Editions

David Bevington and Eric Rasmussen (eds.), Doctor Faustus. A-and B-Texts (1604, 1616), Revels Plays (Manchester, 1993).

___(eds.), Dr Faustus and Other Plays (Oxford, 1995).

Criticism

C. L. Barber, ‘The Form of Faustus’ Fortunes Good or Bad’, Tulane Drama Review 8 (1964), pp.