92–119; repr. in his Creating Elizabethan Tragedy: The Theater of Marlowe and Kyd, ed. Richard P. Wheeler (Chicago, 1988), pp. 87–130.

Max Bluestone, ‘Libido Speculandi: Doctrine and Dramaturgy in Contemporary Interpretations of Marlowe’s Doctor Faustus’, in Reinterpretations of Elizabethan Drama. Selected Papers from the English Institute, ed. Norman Rabkin (New York, 1969), pp. 33–88.

Roma Gill, ‘“Such Conceits as Clownage Keeps in Pay”: Comedy in Doctor Faustus’, in The Fool and the Trickster: Studies in Honour of Enid Welsford, ed. Paul V. A. Williams (Cambridge, 1979), pp. 55–63.

Michael Hattaway, ‘The Theology of Marlowe’s Doctor Faustus’, Renaissance Drama n.s. 3 (1970), pp. 51–78.

J. H. Jones (ed.), The English Faust Book (Cambridge, 1994).

John Jump (ed.), Marlowe, ‘Doctor Faustus’: A Casebook (London, 1969).

Harry Levin, Christopher Marlowe: The Overreacher, ch. 5.

Gareth Roberts, ‘Necromantic Books: Christopher Marlowe, Doctor Faustus and Agrippa of Nettesheim’, in Christopher Marlowe and English Renaissance Culture, ed. Darryll Grantley and Peter Roberts (Aldershot, 1996), pp. 148–71.

Wilbur Sanders, The Dramatist and the Received Idea: Studies in the Plays of Marlowe and Shakespeare (Cambridge, 1968), chs. 10–12.

Edward A. Snow, ‘Marlowe’s Doctor Faustus and the Ends of Desire’, in Two Renaissance Mythmakers: Christopher Marlowe and Ben Jonson, Selected Papers of the English Institute, ed. Alvin Kernan (Baltimore, 1977), pp. 70–110.

EDWARD THE SECOND

Standard Modern Editions

Charles R. Forker (ed.), Edward the Second, Revels Plays (Manchester, 1994).

Roma Gill (ed.), Edward II (Oxford, 1967).

Richard Rowland (ed.), Edward II, Complete Works, vol. 3 (Oxford, 1994).

Martin Wiggins and Robert Lindsey (eds.), Edward the Second (London, 1997).

Suggested Further Reading

Debra Belt, ‘Anti-theatricalism and Rhetoric in Marlowe’s Edward II’, English Literary History 21 (1991), pp. 134–60.

Gregory W. Bredbeck, Sodomy and Interpretation: Marlowe to Milton (Ithaca, NY, 1991).

Thomas F. Cartelli, Marlowe, Shakespeare, and the Economy of Theatrical Experience (Philadelphia, 1991).

Robert Fricker, ‘The Dramatic Structure of Edward II’, English Studies 34 (1953), pp. 128–44.

Michael Hattaway, Elizabethan Popular Theatre: Plays in Performance (London, 1982), pp. 141–59.

Clifford Leech, ‘Marlowe’s Edward II: Power and Suffering’, Critical Quarterly 1 (1959), pp.