On every side now rose
Rocks, which, in unimaginable forms,
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545 Lifted their black and barren pinnacles
In the light of evening, and, its precipice
Obscuring the ravine, disclosed above,
Mid toppling stones, black gulfs and yawning caves,
Whose windings gave ten thousand various tongues
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550 To the loud stream. Lo! where the pass expands
Its stony jaws, the abrupt mountain breaks,
And seems, with its accumulated crags,
To overhang the world: for wide expand
Beneath the wan stars and descending moon
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555 Islanded seas, blue mountains, mighty streams,
Dim tracts and vast, robed in the lustrous gloom
Of leaden-coloured even, and fiery hills
Mingling their flames with twilight, on the verge
Of the remote horizon. The near scene,
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560 In naked and severe simplicity,
Made contrast with the universe. A pine,
Rock-rooted, stretched athwart the vacancy
Its swinging boughs, to each inconstant blast
Yielding one only response, at each pause
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565 In most familiar cadence, with the howl
The thunder and the hiss of homeless streams
Mingling its solemn song, whilst the broad river,
Foaming and hurrying o’er its rugged path,
Fell into that immeasurable void
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570 Scattering its waters to the passing winds.
Yet the grey precipice and solemn pine
And torrent, were not all;—one silent nook
Was there. Even on the edge of that vast mountain,
Upheld by knotty roots and fallen rocks,
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575 It overlooked in its serenity
The dark earth, and the bending vault of stars.
It was a tranquil spot, that seemed to smile
Even in the lap of horror. Ivy clasped
The fissured stones with its entwining arms,
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580 And did embower with leaves for ever green,
And berries dark, the smooth and even space
Of its inviolated floor, and here
The children of the autumnal whirlwind bore,
In wanton sport, those bright leaves, whose decay,
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585 Red, yellow, or ethereally pale,
Rivals the pride of summer. ’Tis the haunt
Of every gentle wind, whose breath can teach
The wilds to love tranquillity. One step,
One human step alone, has ever broken
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590 The stillness of its solitude:—one voice
Alone inspired its echoes;—even that voice
Which hither came, floating among the winds,
And led the loveliest among human forms
To make their wild haunts the depository
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595 Of all the grace and beauty that endued
Its motions, render up its majesty,
Scatter its music on the unfeeling storm,
And to the damp leaves and blue cavern mould,
Nurses of rainbow flowers and branching moss,
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600 Commit the colours of that varying cheek,
That snowy breast, those dark and drooping eyes.
The dim and hornèd moon hung low, and poured
A sea of lustre on the horizon’s verge
That overflowed its mountains. Yellow mist
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605 Filled the unbounded atmosphere, and drank
Wan moonlight even to fulness: not a star
Shone, not a sound was heard; the very winds,
Danger’s grim playmates, on that precipice
Slept, clasped in his embrace.—O, storm of death!
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610 Whose sightless speed divides this sullen night:
And thou, colossal Skeleton, that, still
Guiding its irresistible career
In thy devastating omnipotence,
Art king of this frail world, from the red field
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615 Of slaughter, from the reeking hospital,
The patriot’s sacred couch, the snowy bed
Of innocence, the scaffold and the throne,
A mighty voice invokes thee. Ruin calls
His brother Death. A rare and regal prey
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620 He hath prepared, prowling around the world;
Glutted with which thou mayst repose, and men
Go to their graves like flowers or creeping worms,
Nor ever more offer at thy dark shrine
The unheeded tribute of a broken heart.
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625 When on the threshold of the green recess
The wanderer’s footsteps fell, he knew that death
Was on him. Yet a little, ere it fled,
Did he resign his high and holy soul
To images of the majestic past,
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630 That paused within his passive being now,
Like winds that bear sweet music, when they breathe
Through some dim latticed chamber. He did place
His pale lean hand upon the rugged trunk
Of the old pine. Upon an ivied stone
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635 Reclined his languid head, his limbs did rest,
Diffused and motionless, on the smooth brink
Of that obscurest chasm;—and thus he lay,
Surrendering to their final impulses
The hovering powers of life. Hope and despair,
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640 The torturers, slept; no mortal pain or fear
Marred his repose, the influxes of sense,
And his own being unalloyed by pain,
Yet feebler and more feeble, calmly fed
The stream of thought, till he lay breathing there
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645 At peace, and faintly smiling:—his last sight
Was the great moon, which o’er the western line
Of the wide world her mighty horn suspended,
With whose dun beams inwoven darkness seemed
To mingle. Now upon the jagged hills
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650 It rests, and still as the divided frame
Of the vast meteor sunk, the Poet’s blood,
That ever beat in mystic sympathy
With nature’s ebb and flow, grew feebler still:
And when two lessening points of light alone
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655 Gleamed through the darkness, the alternate gasp
Of his faint respiration scarce did stir
The stagnate night:—till the minutest ray
Was quenched, the pulse yet lingered in his heart.
It paused—it fluttered. But when heaven remained
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660 Utterly black, the murky shades involved
An image, silent, cold, and motionless,
As their own voiceless earth and vacant air.
Even as a vapour fed with golden beams
That ministered on sunlight, ere the west
665
665 Eclipses it, was now that wondrous frame—
No sense, no motion, no divinity—
A fragile lute, on whose harmonious strings
The breath of heaven did wander—a bright stream
Once fed with many-voicèd waves—a dream
Of youth, which night and time have quenched for ever,
Still, dark, and dry, and unremembered now.
O, for Medea’s wondrous alchemy,
Which wheresoe’er it fell made the earth gleam
With bright flowers, and the wintry boughs exhale
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675 From vernal blooms fresh fragrance! O, that God,
Profuse of poisons, would concede the chalice
Which but one living man has drained, who now,
Vessel of deathless wrath, a slave that feels
No proud exemption in the blighting curse
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680 He bears, over the world wanders for ever,
Lone as incarnate death! O, that the dream
Of dark magician in his visioned cave,
Raking the cinders of a crucible
For life and power, even when his feeble hand
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685 Shakes in its last decay, were the true law
Of this so lovely world! But thou art fled
Like some frail exhalation; which the dawn
Robes in its golden beams,—ah! thou hast fled!
The brave, the gentle, and the beautiful,
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690 The child of grace and genius. Heartless things
Are done and said i’ the world, and many worms
And beasts and men live on, and mighty Earth
From sea and mountain, city and wilderness,
In vesper low or joyous orison,
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695 Lifts still its solemn voice:—but thou art fled—
Thou canst no longer know or love the shapes
Of this phantasmal scene, who have to thee
Been purest ministers, who are, alas!
Now thou art not. Upon those pallid lips
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700 So sweet even in their silence, on those eyes
That image sleep in death, upon that form
Yet safe from the worm’s outrage, let no tear
Be shed—not even in thought. Nor, when those hues
Are gone, and those divinest lineaments,
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705 Worn by the senseless wind, shall live alone
In the frail pauses of this simple strain,
Let not high verse, mourning the memory
Of that which is no more, or painting’s woe
Or sculpture, speak in feeble imagery
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710 Their own cold powers. Art and eloquence,
And all the shows o’ the world are frail and vain
To weep a loss that turns their lights to shade.
It is a woe too ‘deep for tears,’ when all
Is reft at once, when some surpassing Spirit,
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715 Whose light adorned the world around it, leaves
Those who remain behind, not sobs or groans,
The passionate tumult of a clinging hope;
But pale despair and cold tranquillity,
Nature’s vast frame, the web of human things,
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720 Birth and the grave, that are not as they were.
NOTE ON ALASTOR, BY MRS. SHELLEY
Alastor is written in a very different tone from Queen Mab. In the latter, Shelley poured out all the cherished speculations of his youth—all the irrepressible emotions of sympathy, censure, and hope, to which the present suffering, and what he considers the proper destiny, of his fellow-creatures, gave birth. Alastor, on the contrary, contains an individual interest only. A very few years, with their attendant events, had checked the ardour of Shelley’s hopes, though he still thought them well grounded, and that to advance their fulfilment was the noblest task man could achieve.
This is neither the time nor place to speak of the misfortunes that chequered his life. It will be sufficient to say that, in all he did, he at the time of doing it believed himself justified to his own conscience; while the various ills of poverty and loss of friends brought home to him the sad realities of life. Physical suffering had also considerable influence in causing him to turn his eyes inward; inclining him rather to brood over the thoughts and emotions of his own soul than to glance abroad, and to make, as in Queen Mab, the whole universe the object and subject of his song. In the Spring of 1815 an eminent physician pronounced that he was dying rapidly of a consumption; abscesses were formed on his lungs, and he suffered acute spasms. Suddenly a complete change took place; and, though through life he was a martyr to pain and debility, every symptom of pulmonary disease vanished. His nerves, which nature had formed sensitive to an unexampled degree, were rendered still more susceptible by the state of his health.
As soon as the peace of 1814 had opened the Continent, he went abroad.
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