In flattering dreams I deem’d thee mine;
Now hope, and he who hoped, decline’
Like melting wax, or withering flower,
I feel my passion, and thy power.

My light of life! ah, tell me why
That pouting lip, and alter’d eye?
My bird of love! my beauteous mate!
And art thou changed, and canst thou hate?

Mine eyes like wintry streams o’erflow:
What wretch with me would barter woe?
My bird! relent: one note could give
A charm to bid thy lover live.

My curdling blood, my madd’ning brain,
In silent anguish I sustain
And still thy heart, without partaking
One pang, exults - while mine is breaking.

Pour me the poison; fear not thou!
Thou canst not murder more than now:
I’ve lived to curse my natal day,
And Love, that thus can lingering slay.

My wounded soul, my bleeding breast,
Can patience preach thee into rest?
Alas! too late, I dearly know
That joy is harbinger of woe.

ON PARTING

The kiss, dear maid! thy lip has left
Shall never part from mine,
Till happier hours restore the gift
Untainted back to thine.

Thy parting glance, which fondly beams,
An equal love may see:
The tear that from thing eyelid streams
Can weep no change in me.

I ask no pledge to make me blest
In gazing when alone;
Nor one memorial for a breast,
Whose thoughts are all thine own.

Nor need I write to tell the tale
My pen were doubly weak:
Oh! what can idle words avail,
Unless the heart could speak?

By day or night, in weal or woe,
That heart, no longer free,
Must bear the love it cannot show,
And silent ache for thee.

March 1811.

EPITAPH FOR JOSEPH BLACKETT, LATE POET AND SHOEMAKER

Stranger! behold, interr’d together,
The souls of learning and of leather.
Poor Joe is gone, but left his all:
You’ll find his relics in a stall.
His works were neat, and often found
Well stitch’d, and with morocco bound.
Tread lightly — where the bard is laid
He cannot mend the shoe he made;
Yet is he happy in his hole,
With verse immortal as his sole.
But still to business he held fast,
And stuck to Phobus to the last.
Then who shall say so good a fellow
Was only ‘leather and prunella?’
For character - he did not lack it
And if he did, ‘twere shame to ‘Black it.
Malta, May 16, 1811.

FAREWELL TO MALTA

Adieu, ye joys of La Valette!
Adieu, sirocco, sun, and sweat!
Adieu, thou palace rarely enter’d!
Adieu, ye mansions where I’ve ventured!
Adieu, ye cursed streets of stairs!
(How surely he who mounts you swears!)
Adieu, ye merchants often failing!
Adieu, thou mob for ever railing!
Adieu, ye packets without letters!
Adieu, ye fools who ape your betters!
Adieu, thou damned’st quarantine,
That gave me fever, and the spleen!
Adieu, that stage which makes us yawn, Sirs,
Adieu, his Excellency’s dancers!
Adieu to Peter — whom no fault’s in,
But could not teach a colonel waltzing;
Adieu, ye females fraught with graces!
Adieu, red coats, and redder faces!
Adieu, the supercilious air
Of all that strut ‘en militaire’!
I go — but God knows when, or why,
To smoky towns and cloudy sky,
To things (the honest truth to say)
As bad — but in a different way.

Farewell to these, but not adieu,
Triumphant sons of truest blue!
While either Adriatic shore,
And fallen chiefs, and fleets no more,
And nightly smiles, and daily dinners,
Proclaim you war and woman’s winners.
Pardon my Muse, who apt to prate is,
And take my rhyme — because ‘tis ‘gratis.’

And now I’ve got to Mrs. Fraser,
Perhaps you think I mean to praise her
And were I vain enough to think
My praise was worth this drop of ink,
A line — or two — were no hard matter,
As here, indeed, I need not flatter:
But she must be content to shine
In better praises than in mine,
With lively air, and open heart,
And fashion’s ease, without its art;
Her hours can gaily glide along,
Nor ask the aid of idle song.

And now, O Malta! since thou’st got us,
Thou little military hothouse!
I’ll not offend with words uncivil,
And wish thee rudely at the Devil,
But only stare from out my casement,
And ask, for what is such a place meant?
Then, in my solitary nook,
Return to scribbling, or a book,
Or take my physic while I’m able
(Two spoonfuls hourly by the label),
Prefer my nightcap to my beaver,
And bless the gods I’ve got a fever.

May 26, 1811.

TO DIVES.

A Fragment

Unhappy Dives! in an evil hour
‘Gainst Nature’s voice seduced to deeds accurst!
Once Fortune’s minion, now thou feel’st her power;
Wrath’s vial on thy lofty head bath burst.
In Wit, in Genius, as in Wealth the first,
How wondrous bright thy blooming morn arose!
But thou went smitten with th’ unhallow’d thirst
Of crime un-named, and thy sad noon must close
In scorn, and solitude unsought, the worst of woes.

ON MOORE’S LAST OPERATIC FARCE, OR FARCICAL OPERA

Good plays are scarce:
So Moore writes farce.
The poet’s fame grows brittle —
We knew before
That Little’s Moore,
But now ‘tis Moore that’s little.

September 14, 1811.

EPISTLE TO A FRIEND

IN ANSWER TO SOME LINES EXHORTING THE AUTHOR TO BE CHEERFUL, AND TO BANISH CARE

‘OH! banish care’ — such ever be
The motto of thy revelry!
Perchance of mine, when wassail nights
Renew those riotous delights,
Wherewith the children of Despair
Lull the lone heart, and `banish care.’
But not in morn’s reflecting hour,
When present, past, and future lower,
When all I loved is changed or gone,
Mock with such taunts the woes of one,
Whose every thought — but let them pass
Thou know’st I am not what I was.
But, above all, if thou wouldst hold
Place in a heart that ne’er was cold,
By all the powers that men revere,
By all unto thy bosom dear,
Thy joys below, thy hopes above,
Speak — speak of anything but love.

‘Twere long to tell, and vain to hear,
The tale of one who scorns a tear;
And there is little in that tale
Which better bosoms would bewail.
But mine has suffer’d more than well
‘Twould suit philosophy to tell.
I’ve seen my bride another’s bride, —
Have seen her seated by his side,
Have seen the infant, which she bore,
Wear the sweet smile the mother wore,
When she and I in youth have smiled,
As fond and faultless as her child;
Have seen her eyes, in cold disdain,
Ask if I felt no secret pain
And I have acted well my part,
And made my cheek belie my heart,
Return’d the freezing glance she gave:
Yet felt the while that woman’s slave; —
Have kiss’d, as if without design,
The babe which ought to have been mine,
And show’d, alas! in each caress
Time had not made me love the less.

But let this pass — I’ll whine no more,
Nor seek again an eastern shore;
The world befits a busy brain, —
I’ll hie me to its haunts again.
But if, in some succeeding year,
When Britain’s May is in the sere,’
Thou hear’st of one whose deepening crimes
Suit with the sablest of the times,
Of one, whom love nor pity sways,
Nor hope of fame, nor good men’s praise;
One, who in stern ambition’s pride,
Perchance not blood shall turn aside;
One rank’d in some recording page
With the worst anarchs of the age,
Him wile thou know — and knowing pause,
Nor with the effect forget the cause.

Newstead Abbey, Oct. 11, 1811.

TO THYRZA

Without a stone to mark the spot,
And say, what Truth might well have said,
By all, save one, perchance forgot,
Ah! wherefore art thou lowly laid?

By many a shore and many a sea
Divided, yet beloved in vain;
The past, the future fled to thee,
To bid us meet no ne’er again!

Could this have been — a word, a look,
That softly said, ‘We part in peace,’
Had taught my bosom how to brook,
With fainter sighs, thy soul’s release.

And didst thou not, since Death for thee
Prepared a light and pangless dart,
Once long for him thou ne’er shaft see,
Who held, and holds thee in his heart?

Oh! who like him had watch’d thee here?
Or sadly mark’d thy glazing eye,
In that dread hour ere death appear,
When silent sorrow fears to sigh,

Till all was past; But when no more
‘Twas thine to reek of human woe,
Affection’s heart-drops, gushing o’er,
Had flow’d as fast — as now they flow.

Shall they not flow, when many a day
In these, to me, deserted towers,
Ere call’d but for a time away,
Affection’s mingling tears were ours?

Ours too the glance none saw beside;
The smile none else might understand;
The whisper’d thought of hearts allied,
The pressure of the thrilling hand;

The kiss, so guiltless and refined,
That Love each warmer wish forbore;
Those eyes proclaim’d so pure a mind,
Even Passion blush’d to plead for more.

The tone, that taught me to rejoice,
When prone, unlike thee, to repine;
The song, celestial from thy voice,
But sweet to me from none but thine;

The pledge we wore — I wear it still,
But where is thine? — Ah! where art thou?
Oft have I borne the weight of ill,
But never bent beneath till now!

Well hast thou left in life’s best bloom
The cup of woe for me to drain.
If rest alone be in the tomb,
I would not wish thee here again.

But if in worlds more blest than this
Thy virtues seek a fitter sphere,
Impart some portion of thy bliss,
To wean me from mine anguish here.

Teach me — too early taught by thee!
To bear, forgiving and forgiven:
On earth by love was such to me —
It fain would form my hope in heaven!

October 11, 1811.

AWAY, AWAY, YE NOTES OF WOE!

Away, away, ye notes of woe!
Be silent, thou once soothing strain,
Or I must flee from hence — for, oh!
I dare not trust those sounds again.
To me they speak of brighter days
But lull the chords, for now, alas!
I must not think, I may not gaze,
On what I am — on what I was.

The voice that made those sounds more sweet
Is hush’d, and all their charms are fled
And now their softest notes repeat
A dirge, an anthem o’er the dead!
Yes, Thyrza! yes, they breathe of thee,
Beloved dust! since dust thou art;
And all that once was harmony
Is worse than discord to my heart!

‘Tis silent all! — but on my ear
The well remember’d echoes thrill;
I hear a voice I would not hear,
A voice that now might well be still:
Yet oft my doubting soul ‘twill shake;
Even slumber owns its gentle tone,
Till consciousness will vainly wake
To listen, though the dream be flown.

Sweet Thyrza! waking as in sleep,
Thou art but now a lovely dream;
A star that trembled o’er the deep,
Then turn’d from earth its tender beam.
But he who through life’s dreary way
Must pass, when heaven is veil’d in wrath,
Will long lament the vanish’d ray
That scatter’d gladness o’er his path.

December 6, 1811.

ONE STRUGGLE MORE, AND I AM FREE

One struggle more, and I am free
From pangs that rend my heart in twain;
One last long sigh to love and thee,
Then back to busy life again.
It suits me well to mingle now
With things that never pleased before!
Though every joy is fled below,
What future grief can touch me more?

Then bring me wine, the banquet bring;
Man was not form’d to live alone:
I’ll be that light, unmeaning thing
That smiles with all, and weeps with none.
It was not thus in days more dear,
It never would have been, but thou
Hast fled, and left me lonely here;
Thou’rt nothing — all are nothing now.

In vain my lyre would lightly breathe!
The smile that sorrow fain would wear
But mocks the woe that lurks beneath,
Like roses o’er a sepulchre.
Though gay companions o’er the bowl
Dispel awhile the sense of ill:
Though pleasure fires the maddening soul,
The heart, — the heart is lonely still!

On many a lone and lovely night
It sooth’d to gaze upon the sky;
For then I deem’d the heavenly light
Shone sweetly on thy pensive eye:
And oft I thought at Cynthia’s noon,
When sailing o’er the Ægean wave,
‘Now Thyrza gazes on that moon’
Alas, it gleam’d upon her grave!

When stretch’d on fever’s sleepless bed,
And sickness shrunk my throbbing veins,
‘Tis comfort still,’ I faintly said,
‘That Thyrza cannot know my pains:’
Like freedom to the time-worn slave,
A boon ‘tis idle then to give,
Relenting Nature vainly gave
My life, when Thyrza ceased to live!

My Thyrza’s pledge in better days,
When love and life alike were new!
How different now thou meet’st my gaze!
How tinged by time with sorrow’s hue!
The heart that gave itself with thee
Is silent — ah, were mine as still!
Though cold as e’en the dead can be,
It feels, it sickens with the chill.

Thou bitter pledge! thou mournful token!
Though painful, welcome to my breast!
Still, still preserve that love unbroken,
Or break the heart to which thou’rt press’d.
Time tempers love, but not removes,
More hallow’d when its hope is fled:
Oh! what are thousand living loves
To that which cannot quit the dead?

EUTHANASIA

When Time, or soon or late, shall bring
The dreamless sleep that lulls the dead,
Oblivion! may thy languid wing
Wave gently o’er my dying bed!

No band of friends or heirs be there,
To weep, or wish, the coming blow:
No maiden, with dishevelled hair,
To feel, or feign, decorous woe.

But silent let me sink to earth,
With no officious mourners near:
I would not mar one hour of mirth,
Nor startle friendship with a tear.

Yet Love, if Love in such an hour
Could nobly check its useless sighs,
Might then exert its latest power
In her who lives, and him who dies.

‘Twere sweet, my Psyche! to the last
Thy features still serene to see:
Forgetful of its struggles past,
E’en Pain itself should smile on thee.

But vain the wish?for Beauty still
Will shrink, as shrinks the ebbing breath;
And women’s tears, produced at will,
Deceive in life, unman in death.

Then lonely be my latest hour,
Without regret, without a groan;
For thousands Death hath ceas’d to lower,
And pain been transient or unknown.

‘Ay, but to die, and go,’ alas!
Where all have gone, and all must go!
To be the nothing that I was
Ere born to life and living woe!

Count o’er the joys thine hours have seen,
Count o’er thy days from anguish free,
And know, whatever thou hast been,
‘Tis something better not to be.

AND THOU ART DEAD, AS YOUNG AND FAIR

And thou art dead, as young and fair
As aught of mortal birth;
And form so soft, and charms so rare,
Too soon return’d to Earth!
Though Earth received them in her bed
And o’er the spot the crowd may tread
In carelessness or mirth,
There is an eye which could not brook
A moment on that grave to look.

I will not ask where thou liest low,
Nor gaze upon the spot;
There flowers or weeds at will may grow,
So I behold them not:
It is enough for me to prove
That what I loved, and long must love,
Like common earth can rot;
To me there needs no stone to tell,
‘Tis Nothing that I loved so well.

Yet did I love thee to the last
As fervently as thou,
Who didst not change through all the past,
And cans’t not alter now.
The love where Death has set his seal,
Nor age can chill, nor rival steal,
Nor falsehood disavow:
And, what were worse, thou canst not see
Or wrong, or change, or fault in me.

The better days of life were ours;
The worst can be but mine:
The sun that cheers, the storm that lowers,
Shall never more be thine.
The silence of that dreamless sleep
I envy now too much to weep;
Nor need I to repine,
That all those charms have pass’d away
I might have watch’d through long decay.

The flower in ripen’d bloom unmatch’d
Must fall the earliest prey;
Though by no hand untimely snatch’d,
The leaves must drop away:
And yet it were a greater grief
To watch it withering, leaf by leaf,
Than see it pluck’d to-day;
Since earthly eye but ill can bear
To trace the change to foul from fair.

I know not if I could have borne
To see thy beauties fade;
The night that followed such a morn
Had worn a deeper shade:
Thy day without a cloud hath passed
And thou wert lovely to the last;
Extinguish’d, not decay’d;
As stars that shoot along the sky
Shine brightest as they fall from high.

As once I wept, if I could weep,
My tears might well be shed,
To think I was not near to keep
One vigil o’er thy bed;
To gaze, how fondly! on thy face,
To fold thee in a faint embrace,
Uphold thy drooping head;
And show that love, however vain,
Nor thou nor I can feel again.

Yet how much less it were to gain,
Though thou hast left me free,
The loveliest things that still remain,
Than thus remember thee!
The all of thine that cannot die
Through dark and dread Eternity
Returns again to me,
And more thy buried love endears
Than aught except its living years.

IF SOMETIMES IN THE HAUNTS OF MEN

If sometimes in the haunts of men
Thine image from my breast may fade,
The lonely hour presents again
The semblance of thy gentle shade:
And now that sad and silent hour
Thus much of thee can still restore,
And sorrow unobserved may pour
The plaint she dare not speak before.

Oh, pardon that in crowds awhile
I waste one thought I owe to thee,
And self?condemn’d, appear to smile,
Unfaithful to thy memory:
Nor deem that memory less dear,
That then I seem not to repine;
I would not fools should overhear
One sigh that should be wholly thine.

If not the goblet pass unquaff’d,
It is not drain’d to banish care;
The cup must hold a deadlier draught,
That brings a Lethe for despair.
And could Oblivion set my soul
From all her troubled visions free,
I’d dash to earth the sweetest bowl
That drown’d a single thought of thee.

For wert thou vanish’d from my mind,
Where could my vacant bosom turn?
And who would then remain behind
To honour thine abandon’d Um?
No, no - it is my sorrow’s pride
That last dear duty to fulfil:
Though all the world forget beside,
‘Tis meet that I remember still.

For well I know, that such had been
Thy gentle care for him, who now
Unmourn’d shall quit this mortal scene,
Where none regarded him, but thou:
And, oh! I feel in that was given
A blessing never meant for me;
Thou wert too like a dream of Heaven
For earthly Love to merit thee.

FROM THE FRENCH

ÆGLE, beauty and poet, has two little crimes;
She makes her own face, and does not make her rhymes.

ON A CORNELIAN HEART WHICH WAS BROKEN

Ill-fated Heart! And can it be,
That thou should’st thus be rent in vain?
Have years of care for thine and thee
Alike been all employ’d in vain?

Yet precious seems each shatter’d part
And every fragment dearer grown
Since he who wears thee feels thou art
A fitter emblem of his own.

March 16, 1812

LINES TO A LADY WEEPING

Weep, daughter of a royal line,
A Sire’s disgrace, a realm’s decay;
Ah! happy if each tear of thine
Could wash a father’s fault away!

Weep — for thy tears are Virtue’s tears
Auspicious to these suffering isles;
And be each drop in future years
Repaid thee by thy people’s smiles!

THE CHAIN I GAVE: FROM THE TURKISH

The chain I gave was fair to view,
The lute I added sweet in sound;
The heart that offer’d both was true,
And ill deserved the fate it found.

These gifts were charm’d by secret spell,
Thy truth in absence to divine;
And they have done their duty well,
Alas! they could not teach the thine.

That chain was firm in every link,
But not to bear a stranger’s touch;
That lute was sweet, till thou could’st think
In other hands its notes were such.

Let him who from thy neck unbound
The chain which shiver’d in his grasp,
Who saw that lute refuse to sound,
Restring the chords, renew the clasp.

When thou wert changed, they alter’d too;
The chain is broke, the music mute.
‘Tis past, to them and thee adieu
False heart, frail chain, and silent lute.

LINES WRITTEN ON A BLANK LEAF OF ‘THE PLEASURES OF MEMORY’

Absent or present, still to thee,
My friend, what magic spells belong!
As all can tell, who share, like me,
In turn thy converse and thy song.

But when the dreaded hour shall come
By Friendship ever deem’d too nigh,
And `MEMORY’ o’er her Druid’s tomb
Shall weep that aught of thee can die,

How fondly will she then repay
Thy homage offer’d at her shrine, to
And blend, while ages roll away,
Her name immortally with thine!

April 19, 1812

ADDRESS, SPOKEN AT THE OPENING OF DRURY-LANE THEATRE. SATURDAY, OCTOBER 10, 1812

In one dread night our city saw, and sigh’d,
Bow’d to the dust, the Drama’s tower of pride
In one short hour beheld the blazing fane,
Apollo sink, and Shakspeare cease to reign.

Ye who beheld, (oh! sight admired and mourn’d,
Whose radiance mock’d the ruin it adorn’d!)
Through clouds of fire the massy fragments riven,
Like Israel’s pillar, chase the night from heaven;
Saw the long column of revolving flames
Shake its red shadow o’er the startled Thames, While thousands, throng’d around the burning dome,
Shrank back appall’d, and trembled for their home,
As glared the volumed blaze, and ghastly shone
The skies, with lightnings awful as their own,
Till blackening ashes and the lonely wall
Usurp ‘d the Muse’s realm, and mark’d her fall;
Say - shall this new, nor less aspiring pile,
Rear’d where once rose the mightiest in our isle,
Know the same favour which the former knew,
A shrine for Shakspeare — worthy him and you?

Yes — it shall be — the magic of that name
Defies the scythe of time, the torch of flame;
On the same spot still consecrates the scene,
And bids the Drama be where she hath been:
This fabric’s birth attests the potent spell —
Indulge our honest pride, and say, How well!

As soars this fare to emulate the last,
Oh! might we draw our omens from the past,
Some hour propitious to our prayers may boast
Names such as hallow still the dome we lost.
On Drury first your Siddons’ thrilling art
O’erwhelm’d the gentlest, storm’d the sternest heart.
On Drury, Garrick’s latest laurels grew;
Here your last tears retiring Roscius drew,
Sigh’d his last thanks, and wept his last adieu:
But still for living wit the wreaths may bloom,
That only waste their odours o’er the tomb.
Such Drury claim’d and claims — nor you refuse
One tribute to revive his slumbering muse;
With garlands deck your own Menander’s head,
Nor hoard your honours idly for the dead.
Dear are the days which made our annals bright,
Ere Garrick fled, or Brinsley ceased to write.
Heirs to their labours, like all high-born heirs,
Vain of our ancestry as they of theirs;
While thus Remembrance borrows Banquo’s glass
To claim the sceptred shadows as they pass,
And we the mirror hold, where imaged shine
Immortal names, emblazon’d on our line,
Pause — ere their feebler offspring you condemn,
Reflect how hard the task to rival them!

Friends of the stage! to whom both Players and Plays
Must sue alike for pardon or for praise.
Whose judging voice and eye alone direct
The boundless power to cherish or reject;
If e’er frivolity has led to fame,
And made us blush that you forbore to blame;
If e’er the sinking stage could condescend
To soothe the sickly taste it dare not mend,
All past reproach may present scenes refute,
And censure, wisely loud, be justly mute!
Oh! since your fiat stamps the Drama’s laws,
Forbear to mock us with misplaced applause;
So pride shall doubly nerve the actor’s powers,
And reason’s voice be echo’d back by ours!

This greeting o’er, the ancient rule obey’d
The Drama’s homage by her herald paid,
Receive our welcome too, whose every tone
Springs from our hearts, and fair would win your own.
The curtain rises — may our stage unfold
Scenes not unworthy Drury’s days of old!
Britons our judges, Nature for our guide,
Still may we please — long, long may you preside.

PARENTHETICAL ADDRESS

“When energising objects men pursue,
What are the prodigies they cannot do?
A magic edifice you here survey,
Shot from the ruins of the other day!
As Harlequin had smote the slumberous heap,
And bade the rubbish to a fabric leap.
Yet at that speed you’d never be amazed,
Knew you the zeal with which the pile was raised;
Nor even here your smiles would be represt,
Knew you the rival flame that fires our breast, 10
Flame! fire and flame! sad heart-appalling sounds,
Dread metaphors that ope our healing wounds —
A sleeping pang awakes — and —  — But away
With all reflections that would cloud the day
That this triumphant, brilliant prospect brings,
Where Hope reviving re-expands her wings;
Where generous joy exults, where duteous ardour springs.

 

If mighty things with small we may compare,
This spirit drives Britannia’s conquering car,
Burns in her ranks and kindles every tar.
Nelson displayed its power upon the main,
And Wellington exhibits it in Spain;
Another Marlborough points to Blenheim’s story,
And with its lustre, blends his kindred glory. 40

In Arms and Science long our Isle hath shone,
And Shakespeare — wondrous Shakespeare — reared a throne
For British Poesy — whose powers inspire
The British pencil, and the British lyre —
Her we invoke — her Sister Arts implore:
Their smiles beseech whose charms yourselves adore,
These if we win, the Graces too we gain —
Their dear, beloved, inseparable train;
Three who their witching arts from Cupid stole
And three acknowledged sovereigns of the soul: 50
Harmonious throng! with nature blending art!
Divine Sestetto! warbling to the heart
For Poesy shall here sustain the upper part.
Thus lifted gloriously we’ll sweep along,
Shine in our music, scenery and song;
Shine in our farce, masque, opera and play,
And prove old Drury has not had her day,
Nay more — so stretch the wing the world shall cry,
Old Drury never, never soared so high.
‘But hold,’ you’ll say, ‘this self-complacent boast; 60
Easy to reckon thus without your host.’
True, true — that lowers at once our mounting pride;
‘Tis yours alone our merit to decide;
‘Tis ours to look to you, you hold the prize
That bids our great, our best ambitions rise.
A double blessing your rewards impart,
Each good provide and elevate the heart.
Our twofold feeling owns its twofold cause,
Your bounty’s comfort — rapture your applause;
When in your fostering beam you bid us live, 70
You give the means of life, and gild the means you give.”

Morning Chronicle, October 17, 1812.]

VERSES FOUND IN A SUMMERHOUSE AT HALES-OWEN

When Dryden’s fool, ‘unknowing what he sought,’
His hours in whistling spent, ‘for want of thought,’
This guiltless oaf his vacancy of sense
Supplied, and amply too, by innocence
Did modern swains, possess’d of Cymon’s powers,
In Cymon’s manner waste their leisure hours,
Th’ offended guests would not, with blushing, see
These fair green walks disgraced by infamy.
Severe the fate of modern fools, alas!

When vice and folly mark them as they pass.
Like noxious reptiles o’er the whiten’d wall,
The filth they leave still points out where they crawl.

REMEMBER THEE! REMEMBER THEE!

Remember thee! remember thee!
Till Lethe quench life’s burning stream
Remorse and shame shall cling to thee,
And haunt thee like a feverish dream!

Remember thee! Aye, doubt it not.