His waistcoat was white, very open, and
fastened with three gold buttons. From one pocket to the other a massive chain
was festooned, with a chronometer at one end of it and a pedometer at the
other, to say nothing of the charms which jingled in the centre. His jewellery
was completed by a series of rings which ornamented his fat, pink hands. His
shirt was of immaculate whiteness, stiff with starch, dotted with three
diamonds, surmounted by a wide, open collar, beneath the fold of which lay an
almost imperceptible cravat of reddish brown cord. The trousers were striped
and very full, and at the feet showed the laced boots with aluminium
fastenings.
The Yankee’s physiognomy was in
the highest degree expressive—the
face of a man who suspected nobody, and could only see good in others. This was
a man who could get out of difficulties, certainly, and he was also energetic,
as was shown by the tonacity of his muscles, the apparent contraction of his
superciliary and his masseter. He laughed noisily, but his laugh was nasal
rather than oral, a sort of giggle, the hennitus of the physiologists.
Such was Calistus Munbar. He
raised his big hat at the entrance of the Quartette Party. He shook hands with
the four artistes. He led them to a table where the tea-urn was steaming and
the traditional toast was smoking. He spoke all the time, giving them no
opportunity to ask a single question—perhaps
with the object of avoiding having to reply—boasting
of the splendours of his town, the extraordinary creation of this city, keeping
up the monologue without interruption, and when the breakfast was over, ending
his monologue with these words, —
“Come, gentlemen, and follow me.
But one piece of advice.”
“What?” asked Frascolin.
“It is expressly forbidden to
spit in the streets. “
“We are not accustomed to,” protested
Yvernès.
“Good! That will save you a fine.”
“Not spit—in America!” murmured Pinchinat, in a
tone in which surprise was mingled with incredulity.
It would have been difficult to
have obtained a guide and cicerone more complete than Calistus Munbar. This
town he knew thoroughly. There was not a hotel of which he did not know the
owner’s name, not a house that he did not know who lived there, not a man in
the street by whom he was not saluted with sympathetic familiarity.
The city was built on a regular
plan. The avenues and roads, provided with verandahs above the footways,
crossed each other at right angles, forming a sort of chessboard. There was no
want of variety about the houses; in their style and interior arrangements they
were according to no other rule than the fancy of their architects. Except
along a few commercial streets, these houses had a look of the palace about
them, with their courtyards flanked by elegant wings, the architectural
arrangement of their front, the luxury of the furniture of their rooms, the
gardens, not to say parks, in their rear. It was remarkable that the trees, o£
recent planting, no doubt, were none of them fully grown. So it was with the
squares at the intersection of the chief arteries of the city, carpeted with
lawns of a freshness quite English, in which the clumps of trees of both
temperate and torrid species had not drawn from the soil its full vegetative
power. This peculiarity presented a striking contrast with the portion of
Western America, where forest giants abound in the vicinity of the great
Californian cities.
The quartette walked in front of
him, observing this part of the town, each according to his manner—Yvernès attracted
by what did not attract Frascolin; Zorn interested in what did not interest
Pinchinat—all
of them curious as to the mystery which enveloped this unknown city. From this
diversity of views arose a fairly complete assemblage of remarks. But Calistus
Munbar was there, and he had an answer for everything. An answer? He did not
wait to be asked; he talked and talked, and never left off talking. His
windmill of words turned and turned at the slightest wind.
Twenty minutes after leaving the
Excelsior Hotel, Calistus Munbar said, —
“Here we are in Third Avenue, and
there are thirty in the town. This is the most business one, it is our
Broadway, our Regent Street, our Boulevard des Italiens. In this stores and
bazaars you find the superfluous and the necessary, all that can be asked for
by the requirements of modern comfort.”
“I see the shops,” observed
Pinchinat, “but I don’t see the customers.”
“Perhaps it is too early in the
morning?” added Yvernès.
“It is due,” said Calistus Munbar,
“to most of the orders being given telephonically, or rather
telautographically.”
“What does that mean?” asked
Frascolin.
“It means that we commonly use
the telautograph, an instrument which sends the written as the telephone sends
the spoken word, without forgetting the kinetograph, which registers the
movements; being for the eye what the phonograph is for the ear, and the
telephote, which reproduces the images. The telautograph gives a better
guarantee than the mere message, which the first to come is free to make bad
use of. We sign our orders and deeds by electricity.”
“Even the marriage registers?”
asked Pinchinat, ironically.
“Doubtless, Mr. Alto. Why should
you not marry by the telegraphic wire?”
“And divorce?”
“And divorce; that is the very
thing that keeps the wires busiest.”
And he laughed a long laugh that
made all the jewellery on his waistcoat jingle.
“You are merry, Mr.
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