The Head of the House of Coombe

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Contents

  • Frances Hodgson Burnett
  • Chapter 1
  • Chapter 2
  • Chapter 3
  • Chapter 4
  • Chapter 5
  • Chapter 6
  • Chapter 7
  • Chapter 8
  • Chapter 9
  • Chapter 10
  • Chapter 11
  • Chapter 12
  • Chapter 13
  • Chapter 14
  • Chapter 15
  • Chapter 16
  • Chapter 17
  • Chapter 18
  • Chapter 19
  • Chapter 20
  • Chapter 21
  • Chapter 22
  • Chapter 23
  • Chapter 24
  • Chapter 25
  • Chapter 26
  • Chapter 27
  • Chapter 28
  • Chapter 29
  • Chapter 30
  • Chapter 31
  • Chapter 32
  • Frances Hodgson Burnett

    The Head of the House of Coombe

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    Frances Hodgson Burnett (1849–1924) was born in Manchester and spent her early years there with her family. Her father died in 1852, and eventually, in 1865, Frances emigrated to the United States with her mother and siblings, settling with family in Knoxville, Tennessee. Frances began to be published at the age of 19, submitting short stories to magazines and using the proceeds to help support the family. In 1872, she married Swan Burnett, a doctor, with whom she had two sons while living in Paris. Her first novel, That Lass o’ Lowrie's , was published in 1877, while the Burnetts were living in Washington D.C.

    Following a separation from her husband, Burnett lived on both sides of the Atlantic, eventually marrying for a second time, however she never truly recovered from the death of her first son, Lionel. Best known during her lifetime for Little Lord Fauntleroy (1886), her books for children, including The Secret Garden and The Little Princess , have endured as classics, but Burnett also wrote many other novels for adults, which were hugely popular and favourably compared to authors such as George Eliot.

    Chapter 1

    The history of the circumstances about to be related began many years ago—or so it seems in these days. It began, at least, years before the world being rocked to and fro revealed in the pause between each of its heavings some startling suggestion of a new arrangement of its kaleidoscopic particles, and then immediately a re-arrangement, and another and another until all belief in a permanency of design seemed lost, and the inhabitants of the earth waited, helplessly gazing at changing stars and colours in a degree of mental chaos.

    Its opening incidents may be dated from a period when people still had reason to believe in permanency and had indeed many of them—sometimes through ingenuousness, sometimes through stupidity of type—acquired a singular confidence in the importance and stability of their possessions, desires, ambitions and forms of conviction.

    London at the time, in common with other great capitals, felt itself rather final though priding itself on being much more fluid and adaptable than it had been fifty years previously. In speaking of itself it at least dealt with fixed customs, and conditions and established facts connected with them—which gave rise to brilliant—or dull—witticisms.

    One of these, heard not infrequently, was to the effect that—in London—one might live under an umbrella if one lived under it in the right neighbourhood and on the right side of the street, which axiom is the reason that a certain child through the first six years of her life sat on certain days staring out of a window in a small, dingy room on the top floor of a slice of a house on a narrow but highly fashionable London street and looked on at the passing of motors, carriages and people in the dull afternoon grayness.

    The room was exalted above its station by being called The Day Nursery and another room equally dingy and uninviting was known as The Night Nursery. The slice of a house was inhabited by the very pretty Mrs. Gareth-Lawless, its inordinate rent being reluctantly paid by her—apparently with the assistance of those “ravens” who are expected to supply the truly deserving. The rent was inordinate only from the standpoint of one regarding it soberly in connection with the character of the house itself which was a gaudy little kennel crowded between two comparatively stately mansions. On one side lived an inordinately rich South African millionaire, and on the other an inordinately exalted person of title, which facts combined to form sufficient grounds for a certain inordinateness of rent.

    Mrs. Gareth-Lawless was also, it may be stated, of the fibre which must live on the right side of the street or dissolve into nothingness—since as nearly nothingness as an embodied entity can achieve had Nature seemingly created her at the outset. So light and airy was the fair, slim, physical presentation of her being to the earthly vision, and so almost impalpably diaphanous the texture and form of mind and character to be observed by human perception, that among such friends—and enemies—as so slight a thing could claim she was prettily known as “Feather”. Her real name, “Amabel”, was not half as charming and whimsical in its appropriateness. “Feather” she adored being called and as it was the fashion among the amazing if amusing circle in which she spent her life, to call its acquaintances fantastic pet names selected from among the world of birds, beasts and fishes or inanimate objects—“Feather” she floated through her curious existence. And it so happened that she was the mother of the child who so often stared out of the window of the dingy and comfortless Day Nursery, too much a child to be more than vaguely conscious in a chaotic way that a certain feeling which at times raged within her and made her little body hot and restless was founded on something like actual hate for a special man who had certainly taken no deliberate steps to cause her detestation.

    “Feather” had not been called by that delicious name when she married Robert Gareth-Lawless who was a beautiful and irresponsibly rather than deliberately bad young man. She was known as Amabel Darrel and the loveliest girl in the lovely corner of the island of Jersey where her father, a country doctor, had begotten a large family of lovely creatures and brought them up on the appallingly inadequate proceeds of his totally inadequate practice. Pretty female things must be disposed of early lest their market value decline. Therefore a well-born young man even without obvious resources represents a sail in the offing which is naturally welcomed as possibly belonging to a bark which may at least bear away a burden which the back carrying it as part of its pack will willingly shuffle on to other shoulders. It is all very well for a man with six lovely daughters to regard them as capital if he has money or position or generous relations or if he has energy and an ingenious unfatigued mind. But a man who is tired and neither clever nor important in any degree and who has reared his brood in one of the Channel Islands with a faded, silly, unattractive wife as his only aid in any difficulty, is wise in leaving the whole hopeless situation to chance and luck. Sometimes luck comes without assistance but—almost invariably—it does not.

    “Feather”—who was then “Amabel”—thought Robert Gareth-Lawless incredible good luck. He only drifted into her summer by merest chance because a friend’s yacht in which he was wandering about “came in” for supplies. A girl Ariel in a thin white frock and with big larkspur blue eyes yearning at you under her flapping hat as she answers your questions about the best road to somewhere will not be too difficult about showing the way herself. And there you are at a first-class beginning.

    The night after she met Gareth-Lawless in a lane whose banks were thick with bluebells, Amabel and her sister Alice huddled close together in bed and talked almost pantingly in whispers over the possibilities which might reveal themselves—God willing—through a further acquaintance with Mr. Gareth-Lawless. They were eager and breathlessly anxious but they were young—young in their eagerness and Amabel was full of delight in his good looks.

    “He is so handsome, Alice,” she whispered actually hugging her, not with affection but exultation. “And he can’t be more than twenty-six or seven. And I’m sure he liked me.