But after the first breath the aspect of
the work changed; page after page was tossed aside as hopeless, the beautiful
sentences he had dreamed of refused to be written, and his puppets remained
stiff and wooden, devoid of life or motion. Then all the old despairs came
back, the agonies of the artificer who strives and perseveres in vain; the
scheme that seemed of amorous fire turned to cold hard ice in his hands. He let
the pen drop from his fingers, and wondered how he could have ever dreamed of
writing books. Again, the thought occurred that he might do something if he
could only get away, and join the sad procession in the murmuring London
streets, far from the shadow of those awful hills. But it was quite impossible;
the relative who had once promised assistance was appealed to, and wrote expressing
his regret that Lucian had turned out a "loafer," wasting his time in
scribbling, instead of trying to earn his living. Lucian felt rather hurt at
this letter, but the parson only grinned grimly as usual. He was thinking of
how he signed a check many years before, in the days of his prosperity, and the
check was payable to this didactic relative, then in but a poor way, and of a
thankful turn of mind.
The
old rejected manuscript had almost passed out of his recollection. It was
recalled oddly enough. He was looking over the Reader, and enjoying the admirable literary criticisms, some three
months after the return of his book, when his eye was attracted by a quoted
passage in one of the notices. The thought and style both wakened memory, the cadences were familiar and beloved. He read
through the review from the beginning; it was a very favorable one, and
pronounced the volume an immense advance on Mr. Ritson's
previous work. "Here, undoubtedly, the author has discovered a vein of
pure metal," the reviewer added, "and we predict that he will go
far." Lucian had not yet reached his father's stage,
he was unable to grin in the manner of that irreverent parson. The passage
selected for high praise was taken almost word for word from the manuscript now
resting in his room, the work that had not reached the high standard of Messrs Beit & Co., who, curiously enough, were
the publishers of the book reviewed in the Reader.
He had a few shillings in his possession, and wrote at once to a bookseller in
London for a copy of The Chorus in Green,
as the author had oddly named the book. He wrote on June 21st and thought he
might fairly expect to receive the interesting volume by the 24th; but the
postman, true to his tradition, brought nothing for him, and in the afternoon
he resolved to walk down to Caermaen, in case it
might have come by a second post; or it might have been mislaid at the office;
they forgot parcels sometimes, especially when the bag was heavy and the
weather hot. This 24th was a sultry and oppressive day; a grey veil of cloud
obscured the sky, and a vaporous mist hung heavily over the land, and fumed up
from the valleys. But at five o'clock, when he started, the clouds began to
break, and the sunlight suddenly streamed down through the misty air, making
ways and channels of rich glory, and bright islands in the gloom. It was a
pleasant and shining evening when, passing by devious back streets to avoid the
barbarians (as he very rudely called the respectable inhabitants of the town), he reached the post-office; which was also the general
shop.
"Yes,
Mr. Taylor, there is something for you, sir," said the man. "Williams
the postman forgot to take it up this morning," and he handed over the
packet. Lucian took it under his arm and went slowly through the ragged winding
lanes till he came into the country. He got over the first stile on the road,
and sitting down in the shelter of a hedge, cut the strings and opened the
parcel. The Chorus in Green was got
up in what reviewers call a dainty manner: a bronze-green cloth, well-cut gold
lettering, wide margins and black "old-face" type, all witnessed to
the good taste of Messrs Beit & Co. He cut the
pages hastily and began to read. He soon found that he had wronged Mr. Ritson—that old literary hand had by no means stolen his
book wholesale, as he had expected. There were about two hundred pages in the
pretty little volume, and of these about ninety were Lucian's, dovetailed into
a rather different scheme with skill that was nothing short of exquisite. And
Mr. Ritson's own work was often very good; spoilt
here and there for some tastes by the "cataloguing" method, a
somewhat materialistic way of taking an inventory of the holy country things;
but, for that very reason, contrasting to a great advantage with Lucian's hints
and dreams and note of haunting. And here and there Mr.
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