I expect he got copy like that.
"So, she's your sister?" he said suddenly, from behind me. "Strange that
you shouldn't recognise the handwriting…."
"Oh, we don't correspond," I said light-heartedly, "we are so
different." I wanted to take a rise out of the creeping animal that he
was. He confronted her blandly.
"You must be the little girl that I remember," he said. He had known my
parents ages ago. That, indeed, was how I came to know him; I wouldn't
have chosen him for a friend. "I thought Granger said you were dead …
but one gets confused…."
"Oh, we see very little of each other," she answered. "Arthur might
have said I was dead—he's capable of anything, you know." She spoke
with an assumption of sisterly indifference that was absolutely
striking. I began to think she must be an actress of genius, she did it
so well. She was the sister who had remained within the pale; I, the
rapscallion of a brother whose vagaries were trying to his relations.
That was the note she struck, and she maintained it. I didn't know what
the deuce she was driving at, and I didn't care. These scenes with a
touch of madness appealed to me. I was going to live, and here,
apparently, was a woman ready to my hand. Besides, she was making a fool
of Callan, and that pleased me. His patronising manners had irritated
me.
I assisted rather silently. They began to talk of mutual
acquaintances—as one talks. They both seemed to know everyone in this
world. She gave herself the airs of being quite in the inner ring;
alleged familiarity with quite impossible persons, with my portentous
aunt, with Cabinet Ministers—that sort of people. They talked about
them—she, as if she lived among them; he, as if he tried very hard to
live up to them.
She affected reverence for his person, plied him with compliments that
he swallowed raw—horribly raw. It made me shudder a little; it was
tragic to see the little great man confronted with that woman. It
shocked me to think that, really, I must appear much like him—must have
looked like that yesterday. He was a little uneasy, I thought, made
little confidences as if in spite of himself; little confidences about
the Hour, the new paper for which I was engaged. It seemed to be run
by a small gang with quite a number of assorted axes to grind. There was
some foreign financier—a person of position whom she knew (a noble man
in the best sense, Callan said); there was some politician (she knew
him too, and he was equally excellent, so Callan said), Mr. Churchill
himself, an artist or so, an actor or so—and Callan. They all wanted a
little backing, so it seemed. Callan, of course, put it in another way.
The Great—Moral—Purpose turned up, I don't know why. He could not
think he was taking me in and she obviously knew more about the people
concerned than he did. But there it was, looming large, and quite as
farcical as all the rest of it. The foreign financier—they called him
the Duc de Mersch—was by way of being a philanthropist on megalomaniac
lines. For some international reason he had been allowed to possess
himself of the pleasant land of Greenland.
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