James Nagel, Stephen Crane and Literary Impressionism (University Park: Penn State University Press, 1980), p. 60.

18 . Joseph Conrad: Life and Letters, ed. George Jean-Aubry (Garden City, N.Y.: Doubleday, 1927), pp. 211-12.

19 .Ørm Øverland, “The Impressionism of Stephen Crane: A Study in Style and Technique,” in Americana Norvegica, ed. Sigmund Skard and Henry H. Wasser (Philadelphia: University of Pennsylvania Press, 1966), I, p. 248.

20 . Eric Solomon, Stephen Crane: From Parody to Realism (Cambridge, Mass.: Harvard University Press, 1966), p. 76.

21 . Thomas L. Kent, “The Problem of Knowledge in ‘The Open Boat’ and ‘The Blue Hotel,’ ” American Literary Realism 14 (Autumn 1981), pp. 262-68.

22 . Correspondence, p. 566.

23 . James Ellis, “The Game of High-Five in ‘The Blue Hotel,’ ” American Literature 49 (November 1977), p. 440.

24 . W. D. Howells, The Minister’s Charge (Boston: Ticknor and Co., 1887), p. 458.

25 . Correspondence, p. 63.

26 . Solomon, p. 174.

27 . Ernest Hemingway, Men at War (New York: Bramhill, 1942), p. xvii.

Suggestions for Further Readings

GENERAL STUDIES

Greenfield, Stanley B. “The Unmistakable Stephen Crane,” PMLA 73 (December 1958): 562-72.

Holton, Milne. Cylinder of Vision: The Fiction and Journalistic Writing of Stephen Crane. Baton Rouge: Louisiana State University Press, 1972.

Monteiro, George.