Treasured Writings of Kahlil Gibran
The Treasured Writings of Kahlil Gibran
Kahlil Gibran
Philosophical Library

Table of Contents
PREFACE
TIMELINE
SELECTED QUOTES
TEARS AND LAUGHTER
The Creation
Have Mercy on Me, My Soul!
Two Infants
The Life of Love
The House of Fortune
Song of the Wave
A Poet’s Death Is His Life
Peace
The Criminal
The Playground of Life
Song of Fortune
The City of the Dead
Song of the Rain
The Widow and Her Son
The Poet
Song of the Soul
Laughter and Tears
Song of the Flower
Vision
Song of Love
Two Wishes
Song of Man
Yesterday and Today
Before the Throne of Beauty
Leave Me, My Blamer
A Lover’s Call
The Beauty of Death
The Palace and the Hut
A Poet’s Voice
The Bride’s Bed
BETWEEN NIGHT & MORN
The Tempest
Slavery
Satan
The Mermaids
We and You
The Lonely Poet
Ashes of the Ages and Eternal Fire
Between Night and Morn
SECRETS OF THE HEART
The Secrets of the Heart
My Countrymen
John the Madman
The Enchanting Houri
Behind the Garment
Dead Are My People
The Ambitious Violet
The Crucified
Eventide of the Feast
The Grave Digger
Honeyed Poison
SPIRITS REBELLIOUS
Madame Rose Hanie
The Cry of the Graves
Kahlil the Heretic
THE BROKEN WINGS
Foreword
Silent Sorrow
The Hand of Destiny
Entrance to the Shrine
The White Torch
The Tempest
The Lake of Fire
Before the Throne of Death
Between Christ and Ishtar
The Sacrifice
The Rescuer
THE VOICE OF THE MASTER
part one
The Master and the Disciple
The Master’s Journey to Venice
The Death of the Master
part two
The Words of the Master
Of Life
Of the Martyrs to Man’s Law
Thoughts and Meditations
Of the First Look • Of the First Kiss • Of Marriage
Of the Divinity of Man
Of Reason and Knowledge
Of Music
Of Wisdom
Of Love and Equality
Further Sayings of the Master
The Listener
Love and Youth
Wisdom and I
The Two Cities
Nature and Man
The Enchantress
Youth and Hope
Resurrection
THOUGHTS AND MEDITATIONS
The Poet From Baalbek
The Return of the Beloved
Union
My Soul Preached to Me
The Sons of the Goddess and the Grandsons of the Monkeys
Decayed Teeth
Mister Gabber
In the Dark Night
The Silver-Plated Turn
Martha
Vision
Communion of Spirits
Under the Sun
A Glance at the Future
The Goddess of Fantasy
History and the Nation
The Speechless Animal
Poets and Poems
Among the Ruins
At the Door of the Temple
Narcotics and Dissecting Knives
The Giants
Out of Earth
O Night
Earth
Perfection
Yesterday, Today, and Tomorrow
A Story of a Friend
Ashes of the Ages and Eternal Fire
A SELF-PORTRAIT
Gibran to His Father, April, 1904
To Jamil Malouf, 1908
To Ameen Guraieb, Feb. 12, 1908
To Nakhi Gibran, March 15, 1908
To Ameen Guraieb, March 28, 1908
To Nakhli Gibran, Sept. 27, 1910
To Yousif Howayek, 1911
From May Ziadeh, May 12, 1912
To Saleem Sarkis, Oct. 6, 1912
To Ameen Guraieb, Feb. 18, 1913
To May Ziadeh, undated
To Mikhail Naimy, Sept. 14, 1919
To Emil Zaidan, 1919
To Mikhail Naimy, 1920
To Mikhail Naimy, 1920
To Mikhail Naimy, Oct. 8, 1920
To Mikhail Naimy, May 24, 1920
To Mikhail Naimy, 1920
To Mikhail Naimy, 1920
To May Ziadeh, Nov. 1, 1920
To May Ziadeh, 1920
To Mikhail Naimy, Jan. 1, 1921
To Mikhail Naimy, 1921
To Mikhail Naimy, 1921
To Mikhail Naimy, 1921
To Mikhail Naimy, 1921
To Mikhail Naimy, 1921
To Mikhail Naimy, 1921
To Mikhail Naimy, 1922
To Mikhail Naimy, 1922
To Mikhail Naimy, 1922
To Emil Zaidan, 1922
To Mikhail Naimy, Aug. 11, 1923
To Mikhail Naimy, 1923
To Mikhail Naimy, 1923
To Mikhail Naimy, Sept. 7, 1924
To Mikhail Naimy, 1925
To Edmond Wehby, March 12, 1925
To May Ziadeh, 1925
To May Ziadeh, 1926
To May Ziadeh, 1928
To Mikhail Naimy, 1928
To Mikhail Naimy, March, 1929
To Mikhail Naimy, March 26, 1929
To Mikhail Naimy, May 22, 1929
To May Ziadeh, 1930
To May Ziadeh, 1930
From Felix Farris, 1930
To Felix Farris, 1930
MIRRORS OF THE SOUL
Edited by Joseph Sheban
Is It All Possible?
The Environment That Created Gibran
The Birthplace of Gibran
Words of Caution
Gibran’s Dual Personality
Gibran’s Painting and Poetry
The Philosophy of Gibran
“Ask Not What Your Country Can Do For You”
Solitude and Seclusion
The Sea
Handful of Beach Sand
The Sayings of the Brook
For Heaven’s Sake, My Heart!
The Robin
The Great Sea
Seven Reprimands
During a Year Not Registered in History
The Women in the Life of Gibran
THE WISDOM OF KAHLIL GIBRAN
IMAGE GALLERY
PREFACE
KAHLIL Gibran is a delight and a surprise and a thoroughly contemporary spiritual guide, and The Treasured Writings of Kahlil Gibran represents the most comprehensive volume of his works available. Translated and edited by a noted trio of Gibran scholars—Martin L. Wolf, Anthony R. Ferris and Andrew Dib Sherfan—the ten books included in this collectors' volume comprise the major body of Kahlil Gibran's canon.
This enriching collection of his stories, prose poems, personal letters, essays, parables and aphorisms paints an intimate portrait of the man far better than any biography. His writings reflect the wistful beauty and the abiding peace that Eastern wisdom achieves. Yet the author of The Prophet sensed the challenge of the old conformity versus the new awakening in the Middle East of his day with startling clarity, and his literary search for beauty and truth led him to stand up against the injustices in his homeland.
For starters, Gibran seems to have understood and cared about women's rights despite the fact that he was a man born in the late 19th century. Perhaps his passionate advocacy is a result of his close relationship to his strong and caring mother Kamila and to Mary Haskell, his Boston patron and much loved lifelong friend who sent him to Paris to study art. As a child, he'd witnessed the despair of women trapped in loveless arranged marriages in Syria.
Several of his parables in this wondrous collection illustrate the tragic plight of young Middle Eastern women, who have been forced by their families to marry rich, older men. If a young girl rebels and runs away to be with the impoverished young man whom she loves, the woman is cursed and reviled as a whore. Even worse, in Gibran's parable "The Bride's Bed" (based on a true story), the sorrowing young bride named Lyla kills her young beloved Saleem in the garden under a willow tree just hours after she marries her rich old husband surrounded by feasters who soon transform the gay wedding celebration into a coarse and profane orgy of drunkenness. Poor Lyla realizes she had been deceived when she was told her handsome young true love loved another. After killing her young man under the willow tree, she lifts her dagger toward the sky and plants it in her bosom.
Gibran was banished from Lebanon and excommunicated from the Catholic Church as a very young man when he published this account because he ended the tale with a description of a priest's contempt for the bloody young woman and her beloved. The priest shouted to the horrified wedding guests, "Cursed are the hands that touch these blood-spattered carcasses that are soaked with sin... Disperse now, before the flames of hell sting you, and he who remains here shall be cursed and excommunicated from the Church and shall never again enter the temple and join the Christians in offering prayers to God!"
In another parable called "Madam Rose Hanie," he writes passionately of a similar tragedy also set in Lebanon, in which the deserted bridegroom Rashid Bey Namaan becomes bitter, wrinkled and keenly distressed. Nonetheless, once again Gibran sympathizes more with the unhappy young wife:
In the Maronite church, in certain ceremonies, the whole congregation participates, chanting in Syriac, the language Christ spoke. The effect of the Maronite ceremonies remained with Gibran the rest of his life; a letter he wrote in later years acknowledged his debt to the church.
But Gibran does also feel sorry for the miserable rich bridegroom. Gibran had known Rashid Bey Namaan since childhood. Now bitterly suffering, Namaan tells Gibran that he rescued his young beautiful wife from deathly poverty, and made her envied by all other woman for her precious jewels, clothing and magnificent carriages. Why would she betray him to live with another man?
Next Gibran visits the beautiful and sincere Madame Rose Hanie, living in a wretched hovel.
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