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Significant cultural achievements in their own way, each of these brief sketches serves as an important marker of Hawthorne’s growing historical interest and precision.
Finally, of course, as even these three sketches tend to predict, it was on Puritanism that Hawthorne did choose to throw the light of his historical intelligence most fully and repeatedly. Yet clearly he must be thought of as choosing. Knowledge came from study and, as always, genius came from genius. But some considered project, provincial or otherwise, is clearly at issue in Hawthorne’s repeated and increasingly subtle attempts to antholo gize his early uses of American materials. So that, when the major tales of the Puritans do eventually emerge from the uncertain light of the famous “haunted chamber” of Hawthorne’s family house in Salem—to which he returned, from Bowdoin, in 1825, and in which he read and wrote for the better part of t
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