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Bracketed words in my translations from Portuguese and French are editorial proposals for blank spaces left by the author in the original.

The selections have been placed in roughly chronological order, conditioned by thematic considerations. The major displacements are Álvaro de Campos’s Notes for the Memory of My Master Caeiro, which dates from around 1930; Professor Jones’s “Essay on Poetry,” whose initial drafts were written in South Africa, before 1905; and Jean Seul’s “France in 1950,” which was conceived in 1907 or 1908. Most of Pessoa’s literary criticism is difficult to date, but parts of “Concerning Oscar Wilde” were surely written in the early 1910s. One of Pessoa’s notes suggests that his writings on American millionaires date from around 1915.

The bibliography contains a complete list of the published Portuguese sources for the translated sel

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