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The boy finally arrives in Kiev and we have no hint of what will happen, just as we have only odd hints of why it has happened in the first place. Delight at the story in Suvorin’s circle turned to frustration: a sequel was suggested – one in which little Yegorushka would become a suicidal adolescent, like Suvorin’s third son. Critics could not see in ‘The Steppe’ the thread holding together a succession of literary pearls – the Jewish innkeeper scene, fishing for crayfish, the thunderstorm – and felt betrayed.
Perhaps it is in response to the strong prejudice in the Russian reader that literature should make him not just happier, but elevated and enlightened, that after ‘The Steppe’ we find the influence of Tolstoy as a writer becoming very marked in Chekhov’s work. Undoubtedly, the success of ‘The Steppe’ made Chekhov secure from poverty or pressure: in the si
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