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[…] I am dead and resurrected with the jewelled key of the
ultimate treasure chest in my mind.’
18 He intended the as yet unfinished Herodias as a central part of a huge work that he thought would take him twenty years. This
huge theatre project, a sort of modern mystery play—his answer to Wagner—would incorporate
mime, dance, music, and text. It consumed him, but was never completed. The ‘Scene’,
written in 1865, was published largely unedited in 1871; but Mallarmé abandoned the
‘Overture’ and worked on the ‘Prelude’, of which the only completed part is the ‘Canticle
of John the Baptist’, right up to his death in 1898.
Mallarmé’s thought seems dominated also by the principle of a mythical, all-encompassing
Book. Although the concept behind the &
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