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he
[the Prince] prays before icons .. And then suddenly, he blows his brains out. -(Enigmatic personage, said to be mad).' This note turns the Prince into a genuinely tragic character, beset by a crisis of faith like 'the great sinner', and his two projects thus begin to merge in Dostoevsky's imagination.
Dostoevsky then immediately develops this new image of the Prince, who would become
Stavrogin by the end of March ('stavros' in Greek means cross). In a transitional note, Dostoevsky writes: 'The Prince — a man who has become bored. Product of Russian century.' (italics added) Previously, the Prince had turned for ideological guidance to Shatov and Golubov (the real name of a writer on religious issues, a former Old Believer who had returned to Orthodoxy, and whose articles had impressed Dostoevsky); but now Golubov is dropped, a
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